T. S. (Thomas Stearns) Eliot

The Waste Land is a long poem by T. S. Eliot. It is widely regarded as one of the most important poems of the 20th century and a central text in Modernist poetry. Published in 1922, the 434-line poem first appeared in the United Kingdom in the October issue of The Criterion and in the United States in the November issue of The Dial. It was published in book form in December 1922. Among its famous phrases are "April is the cruellest month", "I will

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These playful verses by a celebrated poet have delighted readers and cat lovers around the world ever since they were gathered for publication in 1939. As Valerie Eliot has pointed out, there are a number of references to cats in T.S. Eliot's work, but it was to his godchildren, particularly Tom Faber and Alison Tandy, in the 1930s, that he first revealed himself as "Old Possum" and for whom he composed his poems.

The story of the murder of Thomas a Becket as seen through the eyes of the poet. A dramatization in verse of the murder of Thomas Becket at Canterbury.

First published in 1922, "The Waste Land" is T.S. Eliot's masterpiece, and is not only one of the key works of modernism but also one of the greatest poetic achievements of the twentieth century. A richly allusive pilgrimage of spiritual and psychological torment and redemption, Eliot's poem exerted a revolutionary influence on his contemporaries, summoning forth a rich new poetic language, breaking decisively with Romantic and Victorian poetic traditions....

The last major verse written by Nobel laureate T. S. Eliot, considered by Eliot himself to be his finest work Four Quartets is a rich composition that expands the spiritual vision introduced in "The Waste Land." Here, in four linked poems ("Burnt Norton," "East Coker," "The Dry Salvages," and "Little Gidding"), spiritual, philosophical, and personal themes emerge through symbolic allusions and literary and religious references from both Eastern and...

Between 1935, when Murder in the Cathedral was first produced at the Canterbury Festival, and 1958, when The Elder Statesman opened at the Edinburgh Festival prior to engagements in London and New York, Eliot had given three other plays to the theater. His paramount concerns can be traced through all five works. They have been said to be closely related, marking stages in the development of a new and individual form of drama, in which the poet...

This drawing-room comedy is a modern verse play about the search for meaning, in which a psychiatrist is the catalyst for the action. "Eliot really does portray real-seeming characters. He cuts down his poetic effects to the minimum, and then finally rewards us with most beautiful poetry" (Stephen Spender).

37 essays in an expanded edition of the author's major volume of criticism.

Twenty-five works, representing the essential T.S. Eliot, include the title poem plus the complete Prufrock ("The Love Song of J. Alfred Prufrock," "Portrait of a Lady," others) and the complete Poems ("Gerontion," "The Hippopotamus," more).

One of the twentieth centurys most powerfuland controversialworks, The Waste Land was published in the desolate wake of the First World War. This definitive edition of T.S. Eliots masterpiece presents a new and authoritative version of the poem, along with all the essays Eliot wrote as he was composing The Waste Land, seven of them never before published in book form. The volume is enriched with period photographs and a London map of locations mentioned...