The Little Space: Poems Selected and New, 1968–1998
(eBook)
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Alicia Suskin Ostriker., & Alicia Suskin Ostriker|AUTHOR. (2013). The Little Space: Poems Selected and New, 1968–1998. University of Pittsburgh Press.
Chicago / Turabian - Author Date Citation, 18th Edition (Style Guide)Alicia Suskin Ostriker and Alicia Suskin Ostriker|AUTHOR. 2013. The Little Space: Poems Selected and New, 1968–1998. University of Pittsburgh Press.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 18th Edition (Style Guide)Alicia Suskin Ostriker and Alicia Suskin Ostriker|AUTHOR. The Little Space: Poems Selected and New, 1968–1998. University of Pittsburgh Press, 2013.
UCL Harvard Citation (Style Guide)Alicia Suskin Ostriker. and Alicia Suskin Ostriker|AUTHOR. (2013). The little space: poems selected and new, 1968–1998. University of Pittsburgh Press.
MLA Citation, 9th Edition (Style Guide)Alicia Suskin Ostriker, and Alicia Suskin Ostriker|AUTHOR. The Little Space: Poems Selected and New, 1968–1998. University of Pittsburgh Press, 2013.
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Grouping Information
| Grouped Work ID | 68e50349-62f3-7068-f908-ffeffcdf31ce-eng |
|---|---|
| Full title | little space poems selected and new 1968 1998 |
| Author | ostriker alicia suskin |
| Grouping Category | book |
| Last Update | 2025-12-18 23:00:57PM |
| Last Indexed | 2026-01-11 00:47:34AM |
Book Cover Information
| Image Source | hoopla |
|---|---|
| First Loaded | Oct 12, 2024 |
| Last Used | Nov 20, 2025 |
Hoopla Extract Information
| Date First Detected | 04/11/25 01:00:40 |
| Hoopla Type | Instant |
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[synopsis] => 1998 National Book Award Finalist for Poetry1999 Finalist for the Lenore Marshall Poetry PrizeIn this selection of poems from thirty years of a distinguished writing career, we see the growth of a poet's mind, heart, and spirit as Ostriker struggles to love "this wounded / World that we cannot heal, that is our bride."Whether she probes the meaning of childhood, family, marriage, and motherhood, or art, history, politics, and God; whether she is celebrating sexuality or confronting mortality, the poet includes "whatever I can grasp of human experience within my art-the good and beautiful, the evil and chaotic. I tell my students that they must write what they are afraid to write; and I attempt to do so myself."
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